low sounds Reverb no hollowness c. 1603–1606, William Shakespeare, “The Tragedie of King Lear”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, [Act I, scene i]:
(transitive) To apply a reverb (electronic echo effect) to.
If the recording is misequalized, overmiked , or poorly reverbed, the C/II will expose these faults. 1988, High Fidelity - Volume 38, Issue 2, page 28: